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Camille Pissarro, Two Young Peasant Women, 1892
From the Metropolitan Museum of Art:
Pissarro began this picture in summer 1891 and completed it in mid-January 1892, a month before the opening of a major exhibition of his work organized by Joseph Durand-Ruel. Many of the fifty paintings were sold from the show, but Pissarro kept this canvas and gave it to his wife.
By virtue of their size, placement, and quiet dignity, these youthful laborers dominate the landscape setting—an open field near the artist’s house at Eragny. An avowed anarchist, Pissarro wanted to preserve the values of agrarian society that were being threatened by the rapid industrialization of France.
3 days ago - 
55
55Mais il est mauvais de s’arrêter, difficile de se contenter d’une seule manière de voir, de se priver de la contradiction, la plus subtile peut-être de toutes les formes spirituelles. Ce qui précède définit seulement une façon de penser. Maintenant il s’agit de vivre.
Albert Camus - Le mythe de Sisyphe
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3 days ago - 30
30
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I don’t ask you to love me always like this,
but I ask you to remember.
somewhere inside me
there’ll always be the person
I
am tonight.
F. Scott Fitzgerald (via musingsinfemininity)
(Source: quote-book, via teachingliteracy)
